By Hilary Alexander, Fashion Director at Paris Fashion Week Published: 11:00AM GMT 04 March 2010
Link to this videoGareth Pugh offering a tough, formidable conformation in black, padded leather. Stiff, chevron-striped tunics, were cut in sharp-points, over ridged, illicit trousers or over-the-knee, wedge-sole boots.
Trench-style and troops coats, with an industrial finish, were high-collared, and tightly-belted. The mood softened, slightly, when the tanned hide was chevron-striped on georgette, for prolonged and short kaftan-like tunics with triangular hems, or churned with dim widen wool.
Gareth Pugh autumn/winter 2010/11 pick up Grey the new black at Gareth Pugh in Paris London Fashion Week: Gareth Pugh Could London"s avant garde Gareth Pugh be in the LVMH sights? More on Paris Fashion Week Paris Fashion Week: DevasteeSlightly softer, but no less witchy-gothic, were black and grey, long, cobweb-crochet cloaks and capes, ragged over spare tanned hide jeans.
As a gesticulate in the citation of "party" wear, Pugh delivered a array of silver-chain, fringed "cages" over black tanned hide dresses and illicit trousers. His menswear enclosed tight, black tanned hide tunic-jackets or harnesses with floor-sweeping, pleated skirts.
I consternation what Sean P. Diddy Combs, creation a front-row quip after a couple of seasons "out of the conform loop", and here to foster his new manuscript Last Train Made to Paris, done of it.
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